Tag Archives: dimarzio

New video: Victory amps comparison – Metal chug

A very short and rough comparison of two @Victory Amplifiers V4 amps, filmed with smartphones and no post processing for a (relatively) realistic effect about the live sound. It’s basically A/B-ing the relative differences of amps and pedals.

As an extra, there’s also a short test on-the-field for The Sheriff’s GREEN channel, straight into a MESA Dual Rectifier 4×12 cab, boosted only by the Bad Horse.

Is it always necessary to replace the stock pickups in a guitar?

I am writing this first post to share some thoughts about a rather hot topic for guitar players.

I own an ESP LTD GL-256 (one of the George Lynch signature models), and I am really happy with it. It feels great, and it is a very resonant instrument when played unplugged.

When plugged into just a pedal board, or into a 100W tube amp, it sounds *amazing*. I really mean it: tons of sustain, good definition and clarity. Both with the bridge humbucker and the neck single coil (the bridge single coil still sounds a bit meh). And now comes the funny part: this is a Vietnamese instrument, with no SD Pearly Gates as the ESP GL-56 but mounting the stock pickups LH-150 and LS-120.

Usually people bash these poor tools claiming that they are “lifeless, useless pickups with no personality” etc etc. Now, I played my axe side by side with my Ibanez RG with SD Full Shred, through my Laney VH100R…and guess what? No substantial differences. Just some nuances (like the almost “vocal” sound of the Full Shred on the high notes), but nothing so important to justify a pickup replacement.

Though I changed plenty of pickups in my instruments during the years, I still believe that the tone is made by your fingers and by your amp. And that replacing an unbranded stock pickup with a Duncan or a Dimarzio or a Bare Knuckle is mostly a matter of personal taste, not of necessity.

I believe that in general, the stock pickups in decently made guitars like my GL-256 are totally honest and useful pieces of equipment. Those who replace them with 80 euros pickups without even testing the instrument as it comes stock, should really work more on their chops and on equalizing correctly their amps.

It is not the pickups ot have personality, it is not the guitar, it is the musician. My bridge humbucker has a metal cover, and I’m pretty sure that these people would tell me “ah, sounds so good…did you put an SD Custom here?” 😀

EDIT: the other evening, after our weekly Dokken practice, my friend asked me if my bridge pick up was an SD Pearly Gates. QED 🙂